KO SVILENA BUBA KOJA TKA I UGIBA USRED SVOGA TKANJA

SILKEN ROPE

W R I T E  -  E R A S E  S T R E E T  P E R F O R M A N C E

Bismi`lllâh
 

Various bulwarks in spite of, into all European languages slipped three Arabic roots ن ظ م , n ż m, which, by their metatheses, form the verbal forms and their nouns for various governance and ideology, describing, also, both Subject and Object of the art-performance that you attend here. 

Basic meanings of the verb نظم, nażama i niżâm read: string (pearls on a thread), decorate, beautify. Then: line up the words into stanzas, and poem. And, finally: establish The System and The Constitution, arrange The State, build The Regime, organize Military force. . . In popular language saying, bring people under thread, along with their thought, consciousness and conscience, or, otherwise, the follow-on is a "silken rope" around their neck, as in Bosnia, symbolically and Ottoman-traditionally, is described the retribution against the unbound). 

This Middle East (ever more incriminated) language (in which is also revealed the last, also ever more incriminated, God's book - the Qur'ân) has done that out of the upper roots n ż m twist together three, here for us key, nouns: 

Nâżim, ناظم, indicates a poet who composes verses in his poetry, sentences into prose . . . in short, a writer, but the orator alike, then a maker, for example, of the art-performances, as in this case.
 
Nażżâm, نظظام (enriched with a doubled ż) designate one stringing pearls on a thread, i.e., a jeweller, and a poetaster too, while 

Niżâm, نظام, denotes firstly delicate entities: necklace, thread, flock, swarm. Then something rougher, although apparently immaterial: rule, regulation, ordinance, organization, discipline, arrangement . . . And ultimately (alas!) the roughest entity: regime. The one, while twisting a string (on which it gets its subjects) with the one of the jewellers', spins a silken rope round the neck of poets, writers, performers . . . , refusing to be bound. 

MECHA - NISM 
is the most general method of lacing people, consciousnesses, and sub-consciousnesses, the essence of which is being replicated in all the nisms that follow: 
COMMU - NISM 
SATA - NISM 
CHAUVI - NISM 
REVISIO - NISM 
SECESSIO - NISM 
SELECTIO - NISM 
MODER - NISM 
SHAMA - NISM 
ZIO - NISM 
CY – NI(CI)SM 
MACHIAVELLIA - NISM 
CRETI - NISM 
MORO - NISM 
MO - NISM 
AMERICA - NISM 
HEGEMO - NYSM 
IRA - NISM 
HOMOGE - NISM 
BALKA - NISM 
PAGA - NISM 
The said orders prosper thanks to, especially, human weaknesses, which on their part do establish their own nisms, such as: 
OPPORTU - NISM 
HEDO - NISM 

then the habit of turning, even what might start happily, into a tragic: 
DEMO - crrrati - NISM 

and its Alter-ego 
ILLUSIO - NISM 

but not this one, artistic! Out of fear that all colours not completely mix up, we were almost ready to miss the down nisms: 
EXPRESSIO - NISM 
IMPRESSIO - NISM 
and even, to the Authoress particularly dear, although, like all others, this one knows well pervert itself, theologically-philosophical (and to both associated, ethical and aesthetic): 
PERFECTIO - NISM 

From the standpoint of Eternity, all lined up and those not yet allied nisms (with which, you, please, do supplement this list, as, during today's performance, have done Alma, Matea and Jawdat!) rotate by the same or even greater speed than this one with which your Performer writes them up and deletes; before your eyes. 

That by the end of Time would be gone out of the World daylight the above warrior coloured patchwork of nisms, and be realized, if God wishes, a perfect colour scheme of the one (whose threat with a silken rope would be a contradictio in adjecto), namely

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